Paintings, sculpture and polychrome

19 Items

All Items

A survey of acrylic sheet in Portuguese art collections

Sara Babo, Joana Lia Ferreira
Enlarged paintings: a proposal for classification

Ana Isabel López Bonilla, José Manuel Barros García, Susana Martín Rey

57-68
Low toxicity solvent compositions for varnishes formulations for use in art conservation

Mariah Boelsums, João Cura D’Ars de Figueiredo Junior, Luiz Antônio Cruz Souza

69-79
Defining the first preventive conservation guidelines for hand-painted magic lantern glass slides

Ângela Santos, Beatriz Rodrigues, Vanessa Otero, Márcia Vilarigues

100-115
Intervention in Mannerists wooden paintings representing Saint Sebastian and Saint Lucy, by Belchior de Matos, constituents of a diptych of the chapel of Geraldes, in Peniche

Elisabete Ferreira, António João Cruz , Carla Rego
Analysis of the mudejar polychrome decoration of the Patio de las Doncellas. Interventions carried out throughout its history

Ana I. Calero-Castillo, Ana Coba Peña, Olimpia López Cruz, Ana García Bueno
Wax resin lining techniques: Edson Motta’s training at the Fogg Conservation Center and its adaptation to the Brazilian reality

May Paiva, Maria Aguiar, Eduarda Vieira

82-89
Clothed wax effigies: construction materials, challenges and suggestions for preventive conservation

Christos Karydis, Evangelia Kyriazi, Christina-Alkisti Staka

62-81
Scenery painting in the 19th century in the context of tempera painting on canvas: methodology and materials

Sonia Santos Gómez

19-30
Application of light sources on photogrammetric models for the diagnosis and virtual restoration of objects in polychrome wax

Emanuel Sterp Moga, Óscar Hernández-Muñoz, Alicia Sánchez-Ortiz
An Artist’s Sketchbook: the former altarpiece of Goa Cathedral (India) attributed to the painter Garcia Fernandes – iconographic and stylistic influences and underdrawing study

Vanessa Antunes, Vitor Serrão, António Candeias, José Mirão, Sara Valadas, Maria Luísa Carvalho

73-87
Chromatic changes in paintings of Adriano de Sousa Lopes after the removal of aged varnish

João Linhares, Liliana Cardeira, Ana Bailão, Ruben Pastilha, Sérgio Nascimento

50-64
Study on alternative textiles to Tetex TR for use as reinforcement material in the restoration of paintings on canvas support: first results

Daniel Morales Martín, Alicia Sánchez Ortiz

10-20
Identification of the type of paint, acrylic or vinyl, in works of two contemporary painters, Manuel Vilarinho and Pedro Cabrita Reis, by ATR-FTIR

Maria Eduarda Araújo, Oleksander Pavlyshyn, Alice Nogueira Alves

109-115
Preparing the foundation for stable gilding: the origins of materials and practices – a review

Isabel Pombo Cardoso

28-37
Emulsion system without surfactant as an alternative to the use of a solvent gel

Paula Pérez Bento, José Luis Regidor Ros, Pilar Roig Picazo

101-108
Microclimate frame for paintings on canvas exposed to extreme fluctuations in relative humidity

Sara Sá, Isabel Pombo Cardoso, Leslie Carlyle, Raquel Marques

21-33
The Virgin with the Sleeping Child Jesus: study of two overlapping images

Ana Calvo, Ruth Chércoles, Alicia Sánchez, Margarita San Andrés

73-90
Identification of materials used in a wooden coffin lid covered with composite layers dating back to the Ptolemaic period in Egypt

Nour Mohamed Badr, Mona Fouad Ali, Nesrin M. N. El Hadidi, Gamal Abdel Naeem

11-24