Paintings, sculpture and polychrome

16 Items

All Items

Wax resin lining techniques: Edson Motta’s training at the Fogg Conservation Center and its adaptation to the Brazilian reality

May Paiva, Maria Aguiar, Eduarda Vieira

82-89
Clothed wax effigies: construction materials, challenges and suggestions for preventive conservation

Christos Karydis, Evangelia Kyriazi, Christina-Alkisti Staka

62-81
Defining the first preventive conservation guidelines for hand-painted magic lantern glass slides

Ângela Santos, Beatriz Rodrigues, Vanessa Otero, Márcia Vilarigues
Low Toxicity Solvent Compositions for Varnishes Formulations for Use in Art Conservation

Mariah Boelsums, João Cura D’Ars de Figueiredo Junior, Luiz Antônio Cruz Souza
Scenery painting in the 19th century in the context of tempera painting on canvas: methodology and materials

Sonia Santos Gómez

19-30
Enlarged paintings: a proposal for classification

Ana Isabel López Bonilla, José Manuel Barros García, Susana Martín Rey
Application of light sources on photogrammetric models for the diagnosis and virtual restoration of objects in polychrome wax

Emanuel Sterp Moga, Óscar Hernández-Muñoz, Alicia Sánchez-Ortiz
Chromatic changes in paintings of Adriano de Sousa Lopes after the removal of aged varnish

João Linhares, Liliana Cardeira, Ana Bailão, Ruben Pastilha, Sérgio Nascimento

50-64
Study on alternative textiles to Tetex TR for use as reinforcement material in the restoration of paintings on canvas support: first results

Daniel Morales Martín, Alicia Sánchez Ortiz

10-20
Identification of the type of paint, acrylic or vinyl, in works of two contemporary painters, Manuel Vilarinho and Pedro Cabrita Reis, by ATR-FTIR

Maria Eduarda Araújo, Oleksander Pavlyshyn, Alice Nogueira Alves

109-115
An Artist’s Sketchbook: the former altarpiece of Goa Cathedral (India) attributed to the painter Garcia Fernandes – iconographic and stylistic influences and underdrawing study

Vanessa Antunes, Vitor Serrão, António Candeias, José Mirão, Sara Valadas, Maria Luísa Carvalho

73-87
Preparing the foundation for stable gilding: the origins of materials and practices – a review

Isabel Pombo Cardoso

28-37
Emulsion system without surfactant as an alternative to the use of a solvent gel

Paula Pérez Bento, José Luis Regidor Ros, Pilar Roig Picazo

101-108
The Virgin with the Sleeping Child Jesus: study of two overlapping images

Ana Calvo, Ruth Chércoles, Alicia Sánchez, Margarita San Andrés

73-90
Microclimate frame for paintings on canvas exposed to extreme fluctuations in relative humidity

Sara Sá, Isabel Pombo Cardoso, Leslie Carlyle, Raquel Marques

21-33
Identification of materials used in a wooden coffin lid covered with composite layers dating back to the Ptolemaic period in Egypt

Nour Mohamed Badr, Mona Fouad Ali, Nesrin M. N. El Hadidi, Gamal Abdel Naeem

11-24