Published

Summary list of articles since 2005 (further details at Issues)

2023

Conservation of industrial and technological heritage https://doi.org/10.14568/cp44fm2
A tale of hazards: Ingenium’s industrial collections move https://doi.org/10.14568/cp29217
Exploring Andalusian industrial heritage through data science: breaking down the gaps and concerns to visualise opportunities https://doi.org/10.14568/cp27024
The railway heritage in the context of UNESCO: railway aspects for its interpretation and safeguard https://doi.org/10.14568/cp29218
How Lipman’s “caring thinking” theory for human thought may encourage the safeguarding of industrial and technological heritage https://doi.org/10.14568/cp28987
An in-depth look at the application of GIS for industrial heritage documentation https://doi.org/10.14568/cp28708
Challenges in preservation of functional objects in museological context: the role of documentation in safeguarding of musical instruments collections https://doi.org/10.14568/cp29148
Investigating five totalizing counters manufactured by the Alphonse Darras company of the CNAM collections in Paris https://doi.org/10.14568/cp29230
Data analysis techniques for the visualization and classification of historical vehicle engines’ health status using data-driven solutions https://doi.org/10.14568/cp30818
Heritage (almost) forgotten: breweries between reuse, safeguard and abandonment – the cases of Portugália at Lisboa and Antarctica at Joinville, Brazil https://doi.org/10.14568/cp29234
“Rare and vital”: positive terminology, contemporary relevance and robust teaching options for heritage maker trades https://doi.org/10.14568/cp31208
The Scottish transport and industry collections knowledge network (STICK) https://doi.org/10.14568/cp29188
Things rust but memories last forever: creative conservation in the industrial heritage https://doi.org/10.14568/cp29453
Is historic working machinery up to 21st century sustainability demands or are we stuck in time? https://doi.org/10.14568/cp29194
Comparative assessment of paint systems for use on heritage artillery at coastal forts in England: experimental design and interim report https://doi.org/10.14568/cp29444
Replacement of cast iron piers on an 1886 wrought iron truss bridge in New South Wales, Australia – the challenge of preserving heritage significance during major rehabilitation work https://doi.org/10.14568/cp29448
A study of timber frame repair and the case of Gunns Mill’s old blast furnace https://doi.org/10.14568/cp29466
Return of the space hoppers: more measures on dH Comet G-BDIX https://doi.org/10.14568/cp29433
The conservative restoration brings the 1907 Fiat 130 HP back on the track https://doi.org/10.14568/cp30111
Conservation of a WWII Supermarine Spitfire section wing https://doi.org/10.14568/cp28355
Materials characterization of albumen prints from Calouste Gulbenkian´s memories album https://doi.org/10.14568/cp26220
Examples of architectural restoration in Portugal in the 16th to 18th centuries according to the spirit of concinnitas: ideal of harmony, unity and conformity https://doi.org/10.14568/cp26667
Geological, biological and physical-chemical studies for the conservation and restoration of the fountain in Weyler Square (Santa Cruz de Tenerife, Spain) https://doi.org/10.14568/cp27970
Damage mapping as a tool in the maintenance of architectural heritage: the case of Eufrásio Barbosa Market https://doi.org/10.14568/cp29216
Application of 3D technologies for museum reproductions: the skull of Homo naledi from the MNCN https://doi.org/10.14568/cp26858
Decision-making process and restoration work of a photographic-based artwork by Ernesto de Sousa https://doi.org/10.14568/cp27337
Plastics in fashion: a review of plastic materials in modern and contemporary costume collections and their conservation https://doi.org/10.14568/cp27897
Evaluation of the antifungal efficiency of biocides currently applied in the Coimbra UNESCO area limestone monuments https://doi.org/10.14568/cp25076
The completion of the Church of Santa Engrácia in the context of the valorization of the Baroque style in Portugal and the principles of the international Charters of Athens and Venice (1953-1966) https://doi.org/10.14568/cp25017
Analytical investigation and electrochemical conservation treatment for archaeological copper alloy artifacts from Jordan https://doi.org/10.14568/cp26263
The Pinelo Palace in Seville: the restoration works by Rafael Manzano between 1969 and 1981 https://doi.org/10.14568/cp27673
The colours of Portuguese azulejos: a review https://doi.org/10.14568/cp27252
An approach to HBIM methodology applied to the conservation of altarpieces: two case studies in the Canary Islands https://doi.org/10.14568/cp27293

2022

Characterisation of stucco marble coatings towards their preservation https://doi.org/10.14568/cp2020055
The historical mortars of the castle of Cifuentes (Guadalajara, Spain) https://doi.org/10.14568/cp2020061
Conservation problems and solutions in private collections: intervention in the Basque artist Nestor Basterretxea's own collection https://doi.org/10.14568/cp26221
Public housing as urban heritage: experience and research approach in Spain https://doi.org/10.14568/cp26830
The handmade brick of Cuenca (Ecuador): an initial characterisation within the heritage framework https://doi.org/10.14568/cp26915
The Egyptian coffin from the Archaeological Museum of Carmo: material and technical study https://doi.org/10.14568/cp26559
Case study of a tile facade intervention – Aveiro, Portugal https://doi.org/10.14568/cp2020068
Conservar Património in 2022 https://doi.org/10.14568/cp40fm2
Sustainable urban regeneration: the role of cultural heritage in Cultural Ecosystem Services (CES) https://doi.org/10.14568/cp2020042
The Jesuit college of São Tiago de Elvas: construction, materials and actors https://doi.org/10.14568/cp2020086
Retouching the wall paintings of the Nossa Senhora da Piedade Hermitage, Loulé: technical choices https://doi.org/10.14568/cp2021016
Apiaí’s popular Brazilian ceramics: cultural heritage preservation through a technical approach https://doi.org/10.14568/cp2020071
Design and implementation of protocols for monitoring the condition of vast collections: the case of the treasure of the Spanish Civil War https://doi.org/10.14568/cp25257
Application of pH sensors for preventive preservation in storerooms at the Museo Nacional de Ciencias Naturales (Madrid) https://doi.org/10.14568/cp25721
Sequential approach of the re-using the historical military barrack in the Old Mardin Heritage in Turkey https://doi.org/10.14568/cp2020080
Analysis of the mudejar polychrome decoration of the Patio de las Doncellas. Interventions carried out throughout its history https://doi.org/10.14568/cp2020003
Care to value. Preservation strategies in the Art Market’s context https://doi.org/10.14568/cp2020025
Consolidation tests in archaeological wall painting: comparing treatments depending on the painting technique https://doi.org/10.14568/cp2020040
Lime paintings in treatises and construction technical manuals in Portugal from 1880 to 1931 – an historical review https://doi.org/10.14568/cp2020043
A survey of acrylic sheet in Portuguese art collections https://doi.org/10.14568/cp2020075
Unveiling Roland Oliveira’s photographic images: development of an unrolling and flattening treatment for silver gelatine 35 mm negative films https://doi.org/10.14568/cp2020072
Analytical characterization of academic nude paintings from the Faculty of Fine Arts of the University of Lisbon https://doi.org/10.14568/cp2021006
Archaeological glass conservation and restoration intervention materials – a literature review https://doi.org/10.14568/cp2020045
Photogrammetric documentation on archaeological and ethnographic collections of the Institute of Archaeology and Museum, Tucumán, Argentina https://doi.org/10.14568/cp2020032
Interventions taken on altarpieces throughout their history: a proposal of classification https://doi.org/10.14568/cp2020029
Technical approach and curative conservation and restoration processes of a papier machê giant: “La Turca” from the Corpus de Xàtiva https://doi.org/10.14568/cp2020073

2021

5th Portuguese-Brazilian Conference on Conservation and Restoration – an introductory note https://doi.org/10.14568/cp38fm2
Application of light sources on photogrammetric models for the diagnosis and virtual restoration of objects in polychrome wax https://doi.org/10.14568/cp2020021
Monitoring pollutant gases in museum microclimates: a relevant preventive conservation strategy https://doi.org/10.14568/cp2020069
The scientific collection of ISEP Museum: Grenet and Leclanché cells https://doi.org/10.14568/cp2020067
Workshop-School of restoration of modern furniture https://doi.org/10.14568/cp2020027
Intervention in Mannerists wooden paintings representing Saint Sebastian and Saint Lucy, by Belchior de Matos, constituents of a diptych of the chapel of Geraldes, in Peniche https://doi.org/10.14568/cp2020051
Trajectory and exhibition of a time-based media work: "The drawing of the girl running away from her support" (2014), by Ana Vieira (1940-2016) https://doi.org/10.14568/cp2020062
The use of 3D printing in centenary doors of the “Espaço Comum Luiz Estrela”: contemporary interventions in integrated goods https://doi.org/10.14568/cp2020056
Challenges in the conservation and restoration of processional banners – a case study https://doi.org/10.14568/cp2020034
Conservar Património, a consolidation process https://doi.org/10.14568/cp37fm2
Heritage and Management: the vanishing of the first rail network of Seville (Spain) https://doi.org/10.14568/cp2020022
Microbial diversity in the surroundings and selected parts of the imperial throne of D. Pedro II - characterization by classical microbiology and molecular biology, before and after restoration interventions https://doi.org/10.14568/cp2019020
Earth mortars stabilization: a review https://doi.org/10.14568/cp2019043
The Campo Pequeno Bullring in Lisbon’s Avenidas Novas https://doi.org/10.14568/cp2020005
Enlarged paintings: a proposal for classification https://doi.org/10.14568/cp2019032
Low toxicity solvent compositions for varnishes formulations for use in art conservation https://doi.org/10.14568/cp2020041
The relationship between design, object and memory: the Renato Russo exhibition https://doi.org/10.14568/cp2020038
Plastic toy soldiers, a lost battle? – an analytical perspective https://doi.org/10.14568/cp2020002
Defining the first preventive conservation guidelines for hand-painted magic lantern glass slides https://doi.org/10.14568/cp2020033
Transdisciplinarity of preservation: postgraduate programs associated with conservation and restoration in the Brazilian context https://doi.org/10.14568/cp2019047
Thoughts on the socialisation of preventive archaeological conservation in Spain https://doi.org/10.14568/cp2020017
2020: heritage, the pandemic and the journal https://doi.org/10.14568/cp36fm2
Non-invasive wood identification on parts of King Horemheb’s ritual couches (New kingdom) https://doi.org/10.14568/cp2019038
Archaeological chert artifacts from Atapuerca sites (Burgos, Spain): characterization, causes of decay and selection of compatible consolidating products https://doi.org/10.14568/cp2019037
Digital three-dimensional architectural survey of traditional Bulgarian houses – architectural BIM from point cloud survey data https://doi.org/10.14568/cp2019027
Portuguese archives and libraries: a century of preservation and conservation practices for the control of biodeterioration https://doi.org/10.14568/cp2020004
Clothed wax effigies: construction materials, challenges and suggestions for preventive conservation https://doi.org/10.14568/cp2020006
Wax resin lining techniques: Edson Motta’s training at the Fogg Conservation Center and its adaptation to the Brazilian reality https://doi.org/10.14568/cp2019015
Characterization of the wind and apparent temperature in the urban canyons of the historic center of Cuenca, Ecuador https://doi.org/10.14568/cp2019034
Meteorites as a scientific heritage https://doi.org/10.14568/cp2020018
Regeneration and conservation model of urban and cultural spaces as a capitalization strategy for unique districts. The case of Italy District, Chile https://doi.org/10.14568/cp2019025

2020

Recent developments with a view to the future https://doi.org/10.14568/cp35fm2
Materiality and typology of funerary heritage. The Cemetery of Jesus in Murcia, Spain https://doi.org/10.14568/cp2019007
Scenery painting in the 19th century in the context of tempera painting on canvas: methodology and materials https://doi.org/10.14568/cp2018077
Assessment of natural aging and ecological surface treatments in earth renders https://doi.org/10.14568/co2019005
Considerations about foxing stains in three paper collections ranging from the 16th to the 20th century https://doi.org/10.14568/cp2019022
Places of memory in ruins and death’s patrimonialization in Santiago and Bogotá https://doi.org/10.14568/cp2019010
Digital Printing in Contemporary Art. A review for conservation decision-making https://doi.org/10.14568/cp2019028
Plastics that made history – the contribution of conservation science for the history of the Portuguese Plastics Industry https://doi.org/10.14568/cp2019017
Bioreceptivity of different painting systems to mould growth on “tabique” walls and plasterboards https://doi.org/10.14568/cp2019003
The question of material conservation in vernacular architecture: theory, authenticity and contradictions https://doi.org/10.14568/cp2019021
Ad futuram Regis memoriam. The conservative history of King Dinis’ tomb: myths and reality https://doi.org/10.14568/cp2019076
Book review: Virginia Costa, Modern Metals in Cultural Heritage, understanding and characterization, Getty Conservation Institute, Los Angeles, 2019, 136 p. https://doi.org/10.14568/cp2019026
II Colloquium "Investigations in Heritage Conservation” https://doi.org/10.14568/cp34fm2
Study on alternative textiles to Tetex TR for use as reinforcement material in the restoration of paintings on canvas support: first results https://doi.org/10.14568/cp2018045
Sacrifical layers: an alternative for the conservation of the lime stuccos from Templo Mayor’s Structure B in Mexico City https://doi.org/10.14568/cp2018057
Analysis of digital images with DStretch as a support for the virtual restoration of an historical mural painting in San Cristóbal de La Laguna https://doi.org/10.14568/cp2018070
Chromatic changes in paintings of Adriano de Sousa Lopes after the removal of aged varnish https://doi.org/10.14568/cp2018064
Debitus grisailles for stained-glass conservation: an analytical study https://doi.org/10.14568/cp2018067
An Artist’s Sketchbook: the former altarpiece of Goa Cathedral (India) attributed to the painter Garcia Fernandes – iconographic and stylistic influences and underdrawing study https://doi.org/10.14568/cp2018068
Conservation of contemporary medals: packaging solutions https://doi.org/10.14568/cp2018066
Emulsion system without surfactant as an alternative to the use of a solvent gel https://doi.org/10.14568/cp2018051
Identification of the type of paint, acrylic or vinyl, in works of two contemporary painters, Manuel Vilarinho and Pedro Cabrita Reis, by ATR-FTIR https://doi.org/10.14568/cp2018062
Critical reflection on the implementation of preventive conservation plans in institutions https://doi.org/10.14568/cp2018056
Conservation intervention on an embroidery with beads on perforated cardboard: problems and solutions https://doi.org/10.14568/cp2018072
Removal of iron oxides from a sixteenth century ornamental fountain belonging to Quinta da Cardiga (Torres Novas, Portugal) https://doi.org/10.14568/cp2018063
Thinking inside the box: evaluation of polypropylene boxes for the storage of museum objects https://doi.org/10.14568/cp2018058
Model 1859 Portuguese army clothes backpack. Historical note, conservation and restoration treatment https://doi.org/10.14568/cp2018069
Off the radar so far: The conservation of scientific collections and heritage https://doi.org/10.14568/cp33fm2
Displaying a taxidermy rhinoceros in a museum: the Lisbon conservation approach https://doi.org/10.14568/cp2018043
Reflections on the conservation challenges of scientific and technological objects https://doi.org/10.14568/cp2018044
Legacy of the scientific collections of the Instituto de Investigação Científica Tropical, University of Lisbon: a critical review and outlook https://doi.org/10.14568/cp2018040
The Valorization Program of the Cultural Heritage of Sebastião e Silva Secondary School, Oeiras https://doi.org/10.14568/cp2018041

2019

New challenges for Conservar Património https://doi.org/10.14568/cp32fm2
Packaging design for cultural objects: photogrammetry templates procedure https://doi.org/10.14568/2018016
Fungal stains on paper: is what you see what you get? https://doi.org/10.14568/cp2018007
Preparing the foundation for stable gilding: the origins of materials and practices – a review https://doi.org/10.14568/cp2018033
Going back to collections: a study case of the Florentino Ameghino collection housed in the Museo de La Plata (Argentina) https://doi.org/10.14568/cp2018027
What is the origin of the black film in the sculpture “Death of Cleopatra”? https://doi.org/10.14568/cp2018047
The ground-penetrating radar (GPR) method in the characterization of the Monastery of Batalha https://doi.org/10.14568/cp2018050
A fragment in each institution: the dispersion of Dita Acatauassu Marajoara Archaelogical Collection (Amazonia, Brazil) https://doi.org/10.14568/cp2018038
Textile heritage and interdisciplinarity https://doi.org/10.14568/cp31fm2
Reconsidering dragon carpet origins https://doi.org/10.14568/cp2018012
Turkey red prints: identification of lead chromate, Prussian blue and logwood on Turkey red calico https://doi.org/10.14568/cp2018019
A challenging treatment of an 18th century embroidered textile using gel cleaning in combination with decamethylcyclopentasiloxane (D5) silicone solvent barriers https://doi.org/10.14568/cp2018023
The Royal House of Isabel I of Castile (1492-1504): use of silk, wool and linen according to the accounts of Gonzalo de Baeza https://doi.org/10.14568/cp2018021
Oriental patterns in Andalusi textile ornamentation – 13th-15th centuries https://doi.org/10.14568/cp2018026
The kimono in New Spain: a local manifestation of a global fashion in the 17th and 18th centuries https://doi.org/10.14568/cp2018008
Characterizing historical textiles and clothing with proteomics https://doi.org/10.14568/cp2018031
Material analysis versus historical dye recipes: ingredients found in black dyed wool from five Belgian archives (1650-1850) https://doi.org/10.14568/cp2018025
Knitting comes of age: the development of a scientific approach to the study of knitwork https://doi.org/10.14568/cp2018034
GMS – Gammadiae Management System: cataloguing and interpretation project of the socalled gammadiae starting from the iconographic evidences in the Roman catacombs https://doi.org/10.14568/cp2018015
Textile treasures in the reliquary chest of Princess Santa Joana https://doi.org/10.14568/cp2018030
Originality and authenticity of textiles artefacts in house-museums https://doi.org/10.14568/cp2018020
A stumpwork mirror in the collection of the Medeiros e Almeida House-Museum – descriptive and iconographical analyses https://doi.org/10.14568/cp2018028
Embroidered vestments: findings in the Terceira Island (Azores) https://doi.org/10.14568/cp2018029
An archaeological textile from the Monastery of Pombeiro: between conservation and perception https://doi.org/10.14568/cp2018018
Preliminary investigation of the materials and techniques used in a decorated wooden stick of king Tutankhamun https://doi.org/10.14568/cp2017033
Microclimate frame for paintings on canvas exposed to extreme fluctuations in relative humidity https://doi.org/10.14568/cp2017042
Towards the incorporation of a raised walkway at the Royal Alcázar of Seville: status and execution of the works https://doi.org/10.14568/cp2017044
Parametric approach for prior knowledge-base 3D reconstruction https://doi.org/10.14568/cp2017038
Digitization and 3D printing for the reconstruction of volumetric losses in an anatomical wax model of the 18th century https://doi.org/10.14568/cp2018003
The Virgin with the Sleeping Child Jesus: study of two overlapping images https://doi.org/10.14568/cp2018006
The importance of long-term hygrothermal assessment of museum spaces: method and application in a permanent exhibition in a historical building https://doi.org/10.14568/cp2018005
Artistic Heritage of Palácio das Artes: a study of the costume’s preservation process of the shows produced by the Clóvis Salgado Foundation https://doi.org/10.14568/cp2017043
Proposals for data organization and visualization to improve the management and the understanding of complex works https://doi.org/10.14568/cp2016033
The material culture of the customs laboratory of Lisbon https://doi.org/10.14568/cp2018001

2018

New changes of a journal in transformation https://doi.org/10.14568/cp29fm2
Identification of materials used in a wooden coffin lid covered with composite layers dating back to the Ptolemaic period in Egypt https://doi.org/10.14568/cp2017029
Chemical, physical and mineralogical characterisation of the Hispano- Moresque tile collection from Lisbon Roman Theatre Museum https://doi.org/10.14568/cp2017011
Technological and compositional study of the gold leaf from Baroque altarpieces – basis for a research methodology https://doi.org/10.14568/cp2016035
The safeguarding and preservation of the Built Heritage in old urban centres: a reflection on traditional stone masonry buildings' structural rehabilitation https://doi.org/10.14568/cp2017030
Insect damage in historic buildings of Colônia Murici - Southern Brazil, https://doi.org/10.14568/cp2017012
Laces: a case study of preservation of the UFRGS Fashion and Textile Museum collection https://doi.org/10.14568/cp2017036
I Colloquium "Investigations in Conservation of Heritage" DOI: 14568/cp27fm2
Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa DOI: 14568/cp2016042
Painting on copper: research on the materials and techniques used on ground layer according to historical treatises and analytical study of two paintings attributed to the Portuguese and Flemish schools DOI: 14568/cp2016040
Preparing the image: ground layers in Portuguese painting of 15th and 16th centuries - engraving and preparation DOI: 14568/cp2016032
Characterisation of 17th-18th centuries damask and gilt leathers by ATR-FTIR DOI: 14568/cp2017003
Imitated textiles in fresco painting of the 15th and 16th centuries in the North of Portugal - study of a pattern DOI: 14568/cp2016044
Risk analysis applied to the storage rooms of the Museu de Lisboa DOI: 14568/cp2016045
Methodological study about the chromatic reintegration of a set of tile panels DOI: 14568/cp2017004
A graphical documentation methodology for a contemporary artwork: Julio Resende's garden bench of the Parnaso building in Oporto DOI: 14568/cp2017006
An integrated safeguard project: preservation and communication strategies of altarpieces integrated in hermitages DOI: 14568/cp2016041

2017

Achievements of the journal in 2017, DOI: 14568/cp26fm2
In situ evaluation of the behaviour of earth-based mortar renders with low additions of limes DOI: 14568/cp2016022
The reorganization of Pombal's Physics Museum of the University of Coimbra by Mário Augusto da Silva DOI: 14568/cp2017007
On the recipe for a varnish used by El Greco DOI: 14568/cp2016023
Scientific investigation by technical photography, OM, ESEM, XRF, XRD and FTIR of an ancient Egyptian polychrome wooden coffin DOI: 14568/cp2017008
Guidelines to handling the heritage management of the Salinas Grandes, province of La Pampa, Argentina DOI: 14568/cp2017010
The church of the Benedictine convent of Our Lady of Estrela in Lisbon: foundation, destruction and repair/reinvention of a heritage DOI: 14568/cp2017009
What is the meaning of some of the marks incised in the back of Old panel paintings? DOI: 14568/cp2017014
Comment on the editorial "On the importance of publishing in Heritage conservation DOI: 14568/cp2017040
On the importance of publishing in Heritage conservation DOI: 14568/cp25fm2
Cultural Heritage: Disaster Prevention, Response and Recovery DOI: 14568/cp25fm3
Conservation-Restoration paradigm shift after disaster: the Graphic Documents case study DOI: 14568/cp2016034
Simplified risk assessment of immovable cultural heritage assets DOI: 14568/cp2016030
Two historical disasters: the Great Fire of London and the 1755 Lisbon Earthquake - repercussions in the Artistic Heritage and attitudes of rehabilitation DOI: 14568/cp2016047
The José de Figueiredo Institute role on the recovery of paintings from the Gulbenkian collection after the 1967 flood at the Pombal Palace, in Oeiras DOI: 14568/cp2016024
Possible routes for Conservation and Restoration in the risk management of Built Heritage: public-private partnerships within R&D projects (Project STORM) DOI: 14568/cp2017005

2016

The journal "Conservar Património" in an international publishing environment – about the indexing in the "Scopus" database DOI: 14568/cp24fm2
Preventive conservation and management: contribution to a new integrated model, based on the case study of National Archive Torre do Tombo, Portugal DOI: 14568/cp2015004
Applied microbiology: a tool for the conservation of Cultural Heritage DOI: 14568/cp2015007
Transmittance spectroscopy and transmitted multispectral imaging to map covered paints DOI: 14568/cp2015021
Between tradition and technological innovation: challenges to lime Heritage conservation DOI: 14568/cp2016005
Study of environmental conditions in the repositories of the National Archive of the Republic of Cuba DOI: 14568/cp2015019
Virtual historical reconstitution of the main altarpiece of the Espírito Santo Church, in Évora: application of web-based infographics to Cultural Heritage DOI: 14568/cp2015034
The formation of movable cultural property conservators-restorer in Brazil: memories and historical trajectory DOI: 14568/cp2015028
3rd Portuguese-Brazilian Conference on Conservation and Restoration – thinking Conservation in its multiple aspects DOI: 14568/cp23fm2
A systematization of glaze spalling in azulejos DOI: 14568/cp2015043
Historical issues: the basis of Conservation Science and Conservator-Restorer training DOI: 14568/cp2015048
Bright lights: disclosures from the optical, spectroscopic and chromatographic characterization of a 19th century Portuguese sedan chair DOI: 14568/cp2016001
Chinese Opera in storage: packing costumes and accessories (case study) DOI: 14568/cp2015045
In-situ survey of decaying azulejos panels and the presence of salts DOI: 14568/cp2015040
A theoretical approach to the restoration of azulejos by re-firing DOI: 14568/cp2015044
Diagnosis of two textile pieces from Santarém Diocesan Museum: a multi-analytical approach DOI: 14568/cp2015023
Development of new approaches for the detection of yeast and bacteria thriving in mortars DOI: 14568/cp2015047
The theatre of ethics and memory: intervention problems in the "Triptych of Life of Christ", belonging to the church of Saint John, the Baptist, Tomar, attributed to the workshop of Quentin Metsys DOI: 14568/cp2015025
The Alexeïeff Collection in the Archives Françaises du Film: assessment methodology for a preventive conservation plan DOI: 14568/cp2015038
The Conservation and Restoration courses and the problems of curricular articulation: the case of the Polytechnic Institute of Tomar DOI: 14568/cp2015026
Preliminary studies of consolidation of wall paintings: synthesis and characterisation of nanolime DOI: 14568/cp2015046
Cultural Heritage and its survival: image, memory, archetype DOI: 14568/cp2015020
Biodeterioration of easel paintings: development of new mitigation strategies DOI: 14568/cp2015032
Conserving after the catastrophe. The case study of burnt documents of the Bocage Museum Historical Archive DOI: 14568/cp2015035
Preventive conservation applied to "Casa dos Patudos" oil painting collection DOI: 14568/cp2015022
Methodological process for chromatic reading of traditional architectural elements DOI: 14568/cp2015030
Lime kilns in Beja and associated activities: Beyond materials in the conservation of Cultural Heritage DOI: 14568/cp2015042

2015

Foreword GILT-EnArt 2015 - Gilding Materials and Techniques in European Art DOI: 14568/cp22fm2
Gilding and painting: the artistic polyvalence of the gilders masters in Lisbon during the age of the baroque DOI: 14568/cp2015017
Typical conservation problems of polychrome wooden sculptures in Slovenia DOI: 14568/cp2015009
All that glitters is not gold: silver leaf gilding, another means to an end DOI: 14568/cp2015014
Gilding materials and techniques - comparison between altarpieces and their sculptures: a case study DOI: 14568/cp2015011
Gold and not so real gold in Medieval treatises DOI: 14568/cp2015018
Gilders and painters-gilders in the Golden Age of Évora DOI: 14568/cp2015016
Painting with gold: gilders in Northern Alentejo in the 17th and 18th centuries DOI: 14568/cp2015015
The morphology of old urban centres: architectural and constructive survey of Bairro Ribeirinho of Faro, Portugal DOI: 14568/cp2015002
Multispectral imaging system using 12 interference filters for mapping pigments DOI: 14568/cp2015005
The conservation-restoration profession/discipline: a recent science and its development in Portugal DOI: 14568/cp2014004
Practical notes on ultraviolet technical photography for art examination DOI: 14568/cp2015006

2014

Editorial DOI: 14568/cp20fm2
Colorimetric evaluation of three adhesives used in the consolidation of contemporary matte paint after artificial ageing DOI: 14568/cp2014002
Technical photography for mural paintings: the newly discovered frescoes in Aci Sant'Antonio (Sicily, Italy) DOI: 14568/cp2015001
Application of energy dispersive X-ray fluorescence spectrometry to polychrome terracotta sculptures from the Alcobaça Monastery, Portugal DOI: 14568/cp2014008
Chemical and mineralogical patterns, and luminescence dating of miniature terracotta high-reliefs DOI: 14568/cp2014009
Technical study of an eighteenth century clay Nativity scene DOI: 14568/cp2014011
Colorimetric measurements as control elements in wood conservation status DOI: 14568/cp2014014
The pulpits of the Church of Our Lady of Pena in Lisbon: an historical, stylistic and technical study DOI: 14568/cp2013009
Study of 59 paper fragments found on a 17th Century base of an ivory altar cross DOI: 14568/cp2014003
Conservation of documental collections: implementation of a risk management model in archives based on the case study of Portuguese National Archive Torre do Tombo DOI: 14568/cp2014006
Prehistory neglected: the hillfort of Souane (Cisterna, Vinhais, Portugal) and the patrimonial indolence DOI: 14568/cp2014007

2013

Editorial DOI: 14568/cp18fm2
The "Promotion of Tropical Knowledge" program at the Instituto de Investigação Científica Tropical: look into the past with future prospects DOI: 14568/cp2013005
Strategies and inspection processes for the assessment and diagnosis of built heritage DOI: 14568/cp2013007
Nineteenth century recipes for conservation of prints: "Restauração de quadros e gravuras", by Manuel de Macedo DOI: 14568/cp2013002
Restoration of the cathedral of Brasilia: challenges and conflicts of restoration of modern architecture DOI: 14568/cp2013004
Terminology associated with the conservation and restoration of painting DOI: 14568/cp2013010
Opening remarks DOI: 14568/cp17fm2
Editorial DOI: 14568/cp17fm3
Microbiological diversity in the Unfinished Sacristy building of the Convent of Christ, Tomar, and evaluation of its biocide-based control DOI: 14568/cp2012005
Architectonic and constructive characterisation of the old urban centre of Seixal, Portugal DOI: 14568/cp2012008
The main altarpiece of Our Lady of the Elms church in Torre de Juan Abad, Spain: technical study and condition state DOI: 14568/cp2012007
The imperial coach of D. Pedro II: DNA fungal identification in selected materials and its relation to biodeterioration and aerobiology DOI: 14568/cp2013003

2012

The altarpiece of the Transit of the Soul of Saint Bernard of the Real Monastery of Saint Mary of Alcobaça: history, execution and conservation DOI: 14568/cp15-16_1
The restoration works of a captain in 1894 – The portraits of the viceroys of India (Archaeological Museum of Goa) and the artistic side of Gomes da Costa DOI: 14568/cp15-16_2
Aspects of the civil architecture of the nineteenth century in São Luís do Maranhão, Brazil DOI: 14568/cp15-16_3

2011

Mounting of a group of Chinese scrolls from the Camilo Pessanha collection: an alternative solution DOI: 14568/cp13-14_1
The displacement of archaeological structures in Spain. Relocate to preserve, preserve to present DOI: 14568/cp13-14_2
Study on application methods of three adhesives used in the consolidation of contemporary paintings DOI: 14568/cp13-14_3
Conservation of a group of Chinese paintings and calligraphies from the Camilo Pessanha collection: an example of a "less oriental" approach DOI: 14568/cp13-14_4
Study and treatment of the painting "Gauguin (o casamento)", by Álvaro Lapa: cleaning problems found in contemporary paintings DOI: 14568/cp13-14_5

2010

Interdisciplinary study of the panel painting depicting the "Pentecostes", attributed to Fernão Gomes DOI: 14568/cp12_1
Conservation and restoration of the panel "Saint Sebastian calling on the faith of the Christian captive brothers Marcus and Marcellianus" from the Museum of Angra do Heroísmo, Terceira Island, Azores DOI: 14568/cp12_2
Heritage Conservation: Strategic planning and opportunities. A reflexion based on the portuguese situation DOI: 14568/cp12_3
The Law n. 140/2009 as instrument for the safeguard of cultural heritage and the recognition of the role of the conservator-restorer in Portugal DOI: 14568/cp12_4
A Blue Schield to safeguard cultural heritage at risk DOI: 14568/cp12_5
Characterization of lacunae density in pictorial surfaces using GIS software DOI: 14568/cp11_1
The first radiographs of works of art in Portugal and the relationship between radiography, conservation and politics DOI: 14568/cp11_2
About authenticity of a finding: The case study of the "rock engraving" from Pedrógão Beach, Leiria, Portugal DOI: 14568/cp11_3
Evolution of the constructive adobe system in the Porcelain Industrial Unit of Vista Alegre (1937-1945) DOI: 14568/cp11_4
Assessment and Risk Management: Reflections on new conservative logic and role in the management models of organizations DOI: 14568/cp11_5

2009

Editorial DOI: 14568/cp10_1
"Largo de São Mamede" and "Rua de Alconchel" Fountains, in Évora: methodological notes on their recovery and the unveiling, conservation and restoration of mural painting DOI: 14568/cp10_2
Colored limewash paintings in Alentejo (part 1): Pigments' identification and stratigraphic analysis (in 2004-2006) DOI: 14568/cp10_3
Interpreting chemistry and technology of lime binders and implementing it in the conservation field DOI: 14568/cp10-4
Pictorial layers in contemporary art: stabilization of an artwork made of chocolate and metal DOI: 14568/cp10_5
The conservation of the natural and cultural heritage ahead the climatic changes DOI: 14568/cp10_6
Editorial Colour 2008 - Bridging Science with Art DOI: 14568/cp9_1
Alteration of azurite into paratacamite at the St. Alessandro Church (Lasnigo, Italy) DOI: 14568/cp9_2
Sgraffito and colour in Alentejo DOI: 14568/cp9_3
Microbial biodeterioration diagnosis of the 16th century frescoes from the Casa de Fresco de Sanches Baena (Vila Viçosa, Portugal) DOI: 14568/cp9_4
Earth colours finishes in earthen architecture DOI: 14568/cp9_5
The colours of a 16th century panel painting, from the church of Pavia (Mora, Portugal), attributed to Francisco João DOI: 14568/cp9_6
Study of the red lacquer from a pair of Namban stirrups by Py-GC/MS DOI: 14568/cp9_7
Restoration of mobile heritage in Évora in the context of XVIth century: the Panos de Armar of D. Mariana de Castro DOI: 14568/cp9_8
Portugal in international organizations of Heritage Conservation DOI: 14568/cp9_9

2008

Editorial HMC 08 - Historical Mortars Conference DOI: 14568/cp8_1
Earth mortars use on neolithic domestic structures. Some case studies in Alentejo, Portugal DOI: 14568/cp8_2
Conservation of old renderings - the consolidation of rendering with loss of cohesion DOI: 14568/cp8_3
Earth mortars and earth-lime renders DOI: 14568/cp8_4
From Vitruvius' ceramic powder additives to modern restoration DOI: 14568/cp8_5
Conservation of the historical render in the Church of Nossa Senhora da Assunção in Elvas DOI: 14568/cp8_6
Application and properties of pure lime façades - case study DOI: 14568/cp8_7
Evaluation of compatible mortars to repair 19th century natural cement cast stone from the French Rhône-Alpes region DOI: 14568/cp8_8
Specification and time required for the application of a lime-based render inside historic buildings DOI: 14568/cp8_9
Editorial HMC 08 - Historical Mortars Conference DOI: 14568/cp7_1
Natural cement and stone restoration of Bourges Cathedral (France) DOI: 14568/cp7_2
Development of lime based mortars for repairing glazed tile coatings of historic buildings in the city of Ovar, Portugal DOI: 14568/cp7_3
Study of materials and technology of ancient floor mosaics' substrate DOI: 14568/cp7_4
Reconstruction of the Chalet of the Countess of Edla: preliminary evaluation of the effects of fire in the architectural surfaces DOI: 14568/cp7_5
Methodology for diagnosis of rendering anomalies due to moisture in walls 14568/cp7_6
Cause of decay and intervention on external mortars of the S. Vittore Church - Stresa (Italy) DOI: 14568/cp7_7
Materials Considerations Regarding Rain Penetration in Historic Fired Clay Brick Masonry DOI: 14568/cp7_8

2007

Supercritical carbon dioxide: the art of technology in art conservation DOI: 14568/cp6_1
Documenting for a better conservation: The use of consolidants and water repellents in conservation interventions of stone Portuguese monuments DOI: 14568/cp6_2
The materials and techniques used in a baroque sculpture representing Saint Dominic from the Museum of Santa Maria de Lamas DOI: 14568/cp6_3
Pollutant materials and pollution control at Cupertino de Miranda Foundation DOI: 14568/cp6_4
Pigments and dyes of the works of art in Portugal, in the beginning of the 17th century, according to the Filipe Nunes' treatise on painting DOI: 14568/cp6_5
ICOM-CC 15th Triennial Conference DOI: 14568/cp6_6
Terminology to characterize the conservation of tangible cultural heritage. Resolution approved by the ICOM-CC membership on the occasion of the 15th Triennial Conference, New Delhi, 22-26 September 2008 DOI: 14568/cp6_7
Erratum DOI: 14568/cp6bm1
Introduction Luciano Freire DOI: 14568/cp5fm1
The works of Luciano Freire by himself: Introductory note to the edition of one report by a painting restorer of the beginning of the 20th century DOI: 14568/cp5_2
"Elementos para um relatório acerca do tratamento da pintura antiga em Portugal segundo notas tomadas no período da execução desses trabalhos" DOI: 14568/cp5_3
In search for the original image: Luciano Freire and the theory and practice of painting restoration in Portugal circa 1900 DOI: 14568/cp5_4

2006

The housing conditions and the materials of a collection of pastels from José Malhoa and their implication on its conservation condition DOI: 14568/cp3-4_1
Arising, developing and disappearing of the rammed earth technique in Brasil DOI: 14568/cp3-4_2
Solvent reactivation of adhesives in textile conservation: survey and comparison with heat reactivation DOI: 14568/cp3-4_3
Natural dyestuffs from Antiquity to modern days DOI: 14568/cp3-4_4
Renovation, overpainting, inpainting: strategies of the painter-restorer in Portugal, from the 16th to 19th century. Ideological reasons for the iconoclast and the iconofylic practices, or the concept of «utilitarian restoration» versus «scientific restoration» DOI: 14568/cp3-4_5
About the use and disuse of some terms related to the materials constituents of works of art DOI: 14568/cp3-4_6
On the interest and actuality of the university museums of Earth Sciences: the cases of Bensaúde and Décio Thadeu Museums of Instituto Superior Técnico DOI: 14568/cp3-4_7
Innovative tools for environmental and damage evaluation of objects in museums. Balance of the COST Action G8 Training School that took place in Malta DOI: 14568/cp3-4_8
Emergency planning – IFLA DISASTER. Preparedness and Planning DOI: 14568/cp3-4_9
La Conservation en trois Dimensions: Plan d'Urgence, Expositions, Numérisation, Paris, 8-10 March 2006 DOI: 14568/cp3-4_10

2005

Oils, paintings and chemistry DOI: 14568/cp2_1
Microbial deterioration of gelatine emulsion photographs: isolation of contaminant microorganisms from three collections DOI: 14568/cp2_2
The method for the treatment of pastels of the Instituto Português de Conservação e Restauro DOI: 14568/cp2_3
Changing images: the panels of Saint Mary church, at Tavira, founded at the chapel of Saint Peter, and the problems raised by its restoration and scientific study DOI: 14568/cp2_4
Notes on the characterization of the porous structure of materials
DOI: 14568/cp2_5
Reflection on the needs of the higher education of Conservation and Restoration in Portugal DOI: 14568/cp2_6
Course "Science in the Conservation of Archival Collections" ICCROM, Rio de Janeiro, 11-29 July 2005 DOI: 14568/cp2_7
Introduction to a journal DOI: 14568/cp1_1
Columbano's painting accordingly to its paintboxes DOI: 14568/cp1_2
Characterisation of mortars from the monumental complex of Viana do Alentejo castle DOI: 14568/cp1_3
Natural resins DOI: 14568/cp1_4
Ultrasonic misting in the treatment of works of art on paper DOI: 14568/cp1_5
Study and treatment of a chasuble from the Museu Nacional de Arte Antiga DOI: 14568/cp1_6
Photographic Materials Conservation Group Meeting, 25 March 2004 DOI: 14568/cp1_7
Conference on Preservation and conservation issues related to digital printing and digital photography, 23-27 March 2003 DOI: 14568/cp1_8

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