Skip to main content Skip to main navigation menu Skip to site footer
  • About the journal
    • Introduction
    • Journal information
    • Directory board
    • Editorial team
    • Abstracting and indexing
    • Metrics
    • Ethical guidelines
  • Issues
    • Latest issue
    • All issues
  • Articles in press
  • Browse subjects
    • Archaeological materials and sites
    • Artists’ materials and collections
    • Building materials
    • Display and storage
    • Education and training in conservation
    • Film and photographic materials
    • Glass and ceramics
    • Graphic documents
    • Historic buildings and urban settlements
    • Metals
    • Modern materials and contemporary art
    • Murals, stone and rock art
    • Scientific, Historic and Ethnographic Collections
    • Paintings, sculpture and polychrome
    • Preventive conservation
    • Recording and documentation
    • Textiles
    • Theory and history of conservation
    • Wood, furniture, lacquer, ivory and leather
  • Former website
  • Submission & Refereeing
    • For authors
    • For reviewers
Search
  • Register
  • Login
Search
  1. Home /
  2. Murals, stone and rock art

Murals, stone and rock art

7 Items

All Items

  • Ad futuram Regis memoriam. The conservative history of King Dinis’ tomb: myths and reality

    Guilia Rossivairo
    131-140
  • Sacrifical layers: an alternative for the conservation of the lime stuccos from Templo Mayor’s Structure B in Mexico City

    Elisa Carmona Vaillard
    21-34
  • Removal of iron oxides from a sixteenth century ornamental fountain belonging to Quinta da Cardiga (Torres Novas, Portugal)

    Nuno Pereira, Marco Rocha, Manuel Rosa, Fernando Costa
    134-142
  • Analysis of digital images with DStretch as a support for the virtual restoration of an historical mural painting in San Cristóbal de La Laguna

    Alba Fuentes-Porto, Ovidia Soto-Martín, Jorge Martin-Gutierrez
    35-49
  • Archaeological chert artifacts from Atapuerca sites (Burgos, Spain): Characterization, causes of decay and selection of compatible consolidating products

    Ainara Zornoza-Indart, Paula Lopez-Arce, Lucía López-Polín
  • What is the origin of the black film in the sculpture “Death of Cleopatra”?

    Pedro Azevedo, Maria Filomena Macedo, Amélia Dionísio
    50-64
  • Emulsion system without surfactant as an alternative to the use of a solvent gel

    Paula Pérez Bento, José Luis Regidor Ros, Pilar Roig Picazo
    101-108

Language

  • English
  • Português

 
 
 
 
 
 
 
 
0.4
 
 
 
 
 
2019CiteScore
 
CiteScore Rank
Conservation (Q2): 28/82 | Museology (Q2): 19/54
 
58th percentile
Powered by  Scopus 

Follow Conservar Património

 

Associação Profissional de Conservadores-Restauradores de Portugal | ARP
http://www.arp.org.pt/
 
eISSN | 2182-9942
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 | International License
More information about the publishing system, Platform and Workflow by OJS/PKP.