Murals, stone and rock art

All Items

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  Consolidation tests in archaeological wall painting: comparing treatments depending on the painting technique

  Teresa López-Martínez, Francisco José Collado-Montero, Ana García-Bueno
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  Archaeological chert artifacts from Atapuerca sites (Burgos, Spain): characterization, causes of decay and selection of compatible consolidating products

  Ainara Zornoza-Indart, Paula Lopez-Arce, Lucía López-Polín

  20-35
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  Ad futuram Regis memoriam. The conservative history of King Dinis’ tomb: myths and reality

  Guilia Rossivairo

  131-140
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  Sacrifical layers: an alternative for the conservation of the lime stuccos from Templo Mayor’s Structure B in Mexico City

  Elisa Carmona Vaillard

  21-34
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  Removal of iron oxides from a sixteenth century ornamental fountain belonging to Quinta da Cardiga (Torres Novas, Portugal)

  Nuno Pereira, Marco Rocha, Manuel Rosa, Fernando Costa

  134-142
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  Analysis of digital images with DStretch as a support for the virtual restoration of an historical mural painting in San Cristóbal de La Laguna

  Alba Fuentes-Porto, Ovidia Soto-Martín, Jorge Martin-Gutierrez

  35-49
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  What is the origin of the black film in the sculpture “Death of Cleopatra”?

  Pedro Azevedo, Maria Filomena Macedo, Amélia Dionísio

  50-64
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  Emulsion system without surfactant as an alternative to the use of a solvent gel

  Paula Pérez Bento, José Luis Regidor Ros, Pilar Roig Picazo

  101-108