Vol. 49 (2025): International Symposium Archaeology of Colour

Cover and technical information

Cover and technical information

AA.VV.

1-6
- PDF

Editorial

Archaeology of colour – the production of polychromy in sculpture up to the 16th century

Isabel Pombo Cardoso, Maria João Vilhena de Carvalho, Sara Sá

7-12
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Articles

Visible materials, invisible meanings: colour-based hierarchies in the Middle Ages

Grazia Maria Fachechi, Alberto Virdis

13-27
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Crafting culture in the Adriatic: a case of woodcarvers and painters in Quattrocento Dubrovnik

Matevž Remškar

28-40
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The (after)lives of the pseudo-sumptuous surfaces: the case of the Venetian Gothic and Renaissance wooden sculpture in the Adriatic

Matko Marušić

41-52
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Light, surfaces and materials: sculpting the imperceptible

Camille Ambrosino, Federica Carta

53-68
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Pastiglia relief and sgraffito: a study of the polychromy on a late Medieval English alabaster altarpiece

Christina Spaarschuh, Elena Platania

69-85
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(In)tangible archaeology of colours: permanent marks on anthropomorphic haniwa and tattooing in Kofun-period Japan

Elisabetta Colla

86-95
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Different stones: the weight of colour in ancient near Eastern glyptic

Alessandro Di Ludovico, Sergio Camiz

96-110
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Beyond art technical sources: understanding colour production in Andalusi texts

Ana Miranda, Isabel Pombo Cardoso

111-120
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The interventions on the medieval polychromy of the tomb monument of Isabel of Aragon: the historical sources

Giulia Rossi Vairo

121-135
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A study of the polychromy of Campana's panels

Ombretta Tarquini, Elena Gabriella Lorenzetti, Lucilla Pronti, Anna Candida Felici

136-146
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New findings on the original surface finish of a wooden sculpture by Tilman Riemenschneider

Wibke Ottweiler

147-160
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Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced

Fernando Quesada Sanz, Jesús Robles Moreno, Enrique Parra Crego, María Isabel Sánchez Marqués

161-172
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Pigments from Pasargadae and Persepolis in the Metropolitan Museum of Art (NY): recent scientific investigations on four paper squeezes

Atefeh Shekofteh, Alexander Nagel, Omid Oudbashi

173-194
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The incarnation of carnation: a reconstruction of late Gothic flesh tones using the example of a Mary (1510) by the workshop of Ivo Strigel

Tiziana Maria Thenen, Karolina Soppa, Stefan Zumbühl, Harald Theiss

195-207
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A hidden splendor: the color of medieval cloisters in the 12th and 13th century Catalonia

Laia Cutrina Gallart

208-222
- PDF

Vol. 49 (2025): International Symposium Archaeology of Colour

Full Issue

Cover and technical information

Cover and technical information

Editorial

Archaeology of colour – the production of polychromy in sculpture up to the 16th century

Articles

Visible materials, invisible meanings: colour-based hierarchies in the Middle Ages

Crafting culture in the Adriatic: a case of woodcarvers and painters in Quattrocento Dubrovnik

The (after)lives of the pseudo-sumptuous surfaces: the case of the Venetian Gothic and Renaissance wooden sculpture in the Adriatic

Light, surfaces and materials: sculpting the imperceptible

Pastiglia relief and sgraffito: a study of the polychromy on a late Medieval English alabaster altarpiece

(In)tangible archaeology of colours: permanent marks on anthropomorphic haniwa and tattooing in Kofun-period Japan

Different stones: the weight of colour in ancient near Eastern glyptic

Beyond art technical sources: understanding colour production in Andalusi texts

The interventions on the medieval polychromy of the tomb monument of Isabel of Aragon: the historical sources

A study of the polychromy of Campana's panels

New findings on the original surface finish of a wooden sculpture by Tilman Riemenschneider

Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced

Pigments from Pasargadae and Persepolis in the Metropolitan Museum of Art (NY): recent scientific investigations on four paper squeezes

The incarnation of carnation: a reconstruction of late Gothic flesh tones using the example of a Mary (1510) by the workshop of Ivo Strigel

A hidden splendor: the color of medieval cloisters in the 12th and 13th century Catalonia

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