Archaeology of colour – the production of polychromy in sculpture up to the 16th century

Isabel Pombo Cardoso; Maria João Vilhena de Carvalho; Sara Sá

doi:10.14568/cp49fm2

Archaeology of colour – the production of polychromy in sculpture up to the 16th century

Authors

Isabel Pombo Cardoso Department of Conservation and Restoration, NOVA School of Science and Technology, Universidade NOVA de Lisboa, 2829-516 Caparica, Portugal https://orcid.org/0000-0003-3328-6749
Maria João Vilhena de Carvalho Museu Nacional de Arte Antiga, Rua das Janelas Verdes, 1249-017 Lisboa, Portugal; Instituto de Estudos Medievais, Faculdade de Ciências Sociais e Humanas, Universidade NOVA de Lisboa, Av. de Berna, 26 C, 1069-061 Lisboa, Portugal https://orcid.org/0000-0003-2117-4467
Sara Sá Department of Conservation and Restoration, NOVA School of Science and Technology, Universidade NOVA de Lisboa, 2829-516 Caparica, Portugal https://orcid.org/0000-0002-4822-4252

DOI:

https://doi.org/10.14568/cp49fm2

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Published

2025-05-24

How to Cite

Pombo Cardoso, I., Vilhena de Carvalho, M. J., & Sá, S. (2025). Archaeology of colour – the production of polychromy in sculpture up to the 16th century. Conservar Património, 49, 7–12. https://doi.org/10.14568/cp49fm2

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Issue

Vol. 49 (2025): International Symposium Archaeology of Colour

Section

Editorial

License

This work is distributed under a Creative Commons Attribution License (CC BY-NC-ND 4.0) which permits use, distribution, and reproduction in any medium following no commercial or derivatives, provided the original author and source are credited.