Decision-making process and restoration work of a photographic-based artwork by Ernesto de Sousa

Élia Roldão; Susana França de Sá; Alexandra Pinto Rodrigues; Emília Tavares

doi:10.14568/cp27337

Autores

Élia Roldão LAQV-REQUIMTE, Department of Conservation and Restoration, NOVA School of Science and Technology, Universidade Nova de Lisboa, 2829-516 Caparica, Portugal https://orcid.org/0000-0002-6682-7620
Susana França de Sá LAQV-REQUIMTE, Department of Conservation and Restoration, NOVA School of Science and Technology, Universidade Nova de Lisboa, 2829-516 Caparica, Portugal https://orcid.org/0000-0003-2445-9361
Alexandra Pinto Rodrigues Independent conservator-restorer https://orcid.org/0000-0001-6300-3880
Emília Tavares Museu Nacional de Arte Contemporânea do Chiado, Rua Serpa Pinto, 4 | Rua Capelo, 13, 1200-444 Lisboa, Portugal

DOI:

https://doi.org/10.14568/cp27337

Palavras-chave:

Ernesto de Sousa, Fotografia, Técnica mista, Avaliação do estado de conservação, Tomada de decisão, Conservação e restauro

Resumo

Este artigo discute os desafios na conservação da obra fotográfica de técnica mista, Revolução, Corpo, Tempo (1978) de Ernesto de Sousa, do Museu Nacional de Arte Contemporânea do Chiado (Portugal). Devido aos danos na obra e um pedido para exposição, foi necessário realizar uma intervenção de conservação. A definição de um plano de conservação foi desafiante devido à falta de informação sobre o complexo e singular processo criativo do autor e aos extensos danos nos elementos da montagem. Este artigo analisa a informação recolhida sobre a obra e o caso de estudo, e discute a possível posição do artista face à deterioração e evolução da obra ao longo do tempo – questões fundamentais para a tomada de decisão em conservação. Através da observação visual, pesquisa em arquivos, entrevistas informais, foto-documentação, espectroscopia de infravermelho e micro-fluorescência de raios X, apresentam-se os desafios, a metodologia e o tratamento realizado.

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