Tomada de decisão e intervenção numa obra de arte fotográfica de Ernesto de Sousa
DOI:
https://doi.org/10.14568/cp27337Palavras-chave:
Ernesto de Sousa, Fotografia, Técnica mista, Avaliação do estado de conservação, Tomada de decisão, Conservação e restauroResumo
Este artigo discute os desafios na conservação da obra fotográfica de técnica mista, Revolução, Corpo, Tempo (1978) de Ernesto de Sousa, do Museu Nacional de Arte Contemporânea do Chiado (Portugal). Devido aos danos na obra e um pedido para exposição, foi necessário realizar uma intervenção de conservação. A definição de um plano de conservação foi desafiante devido à falta de informação sobre o complexo e singular processo criativo do autor e aos extensos danos nos elementos da montagem. Este artigo analisa a informação recolhida sobre a obra e o caso de estudo, e discute a possível posição do artista face à deterioração e evolução da obra ao longo do tempo – questões fundamentais para a tomada de decisão em conservação. Através da observação visual, pesquisa em arquivos, entrevistas informais, foto-documentação, espectroscopia de infravermelho e micro-fluorescência de raios X, apresentam-se os desafios, a metodologia e o tratamento realizado.
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![Details of some damages found on the artwork: distortion (Ernesto de Sousa)](https://conservarpatrimonio.pt/public/journals/34/submission_27337_23799_coverImage_en_US.png)
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