https://conservarpatrimonio.pt/issue/feed Conservar Património 2023-10-20T11:49:06+01:00 Conservar Património conservarpatrimonio@arp.org.pt Open Journal Systems <p><strong>Conservar Património</strong> is a peer-reviewed, Open Access journal, indexed in <strong>Scopus</strong> and <strong>Web of Science</strong>. It is published by ARP since 2005. The journal's 2019 CiteScore is 0.40 (58th percentile) and in 2020 it ranks Q1 in Museology and Q2 in Conservation by Scimago SJR. The journal publishes 3 issues per year. The access is free for readers &amp; free for authors and the copyright is retained by the author(s).</p> https://conservarpatrimonio.pt/article/view/32258 Colours of the Tijomel ceramic manufacture (1941-1992): characterisation of a set of ceramic colourants and glazed tiles from Decormel Materials Catalogue 2023-09-08T08:47:49+01:00 Mathilda Coutinho magldc@uevora.pt Silvia Pereira spereira@lnec.pt Andreia Ruivo a.ruivo@fct.unl.pt Silvia Bottura-Scardina silvia.scardina@campus.ul.pt João Pedro Veiga jpv@fct.unl.pt Catarina Geraldes c.geraldes@campus.fct.unl.pt Milene Gil milenegil@uevora.pt Joana Shearman joanashearman@gmail.com <p>Tijomel was considered one of the most modern ceramic manufacturers in the Iberian Peninsula in the mid-20th century. Located at Caxarias (Ourém, Portugal), this manufacturer produced diverse ceramic-based architectural materials, from common clay bricks to sophisticated modernist azulejos. Recently members of the family of the former Tijomel Manufacture owners retrieved a collection of 33 raw materials, mostly ceramic colourants. In this study, the chemical characterisation of these ceramic colourants was performed and compared with an azulejos commercial catalogue of the same manufacturer entitled Decormel Catalogue. The recovered raw materials and azulejos were investigated using a multi-analytical approach comprising h-EDXRF and μ-XRD to obtain their elemental and mineralogical composition and HSI and colourimetry to analyse their optical properties. Results provided a glimpse of the wide variety of ceramic colourants used in mid-20th century and showed that Tijomel combined the use of traditional azulejo colourants with more recent compositions.</p> 2024-05-19T00:00:00+01:00 Copyright (c) 2024 Mathilda Coutinho, Silvia Pereira, Andreia Ruivo, Silvia Bottura-Scardina, João Pedro Veiga, Catarina Geraldes, Milene Gil, Joana Shearman https://conservarpatrimonio.pt/article/view/28800 Searching for the original portrait of Afonso de Albuquerque – new revelations from the Viceroys Gallery of Goa 2023-04-06T17:22:31+01:00 Teresa Reis teresa.reis@uevora.pt Sara Valadas svaladas@uevora.pt Ana Machado afbmac@gmail.com Luís Piorro lpiorro@gmail.com Nuno Carriço aa@aa.aa Ana Cardoso anamacardoso@yahoo.com Ana Teresa Caldeira atc@uevora.pt Fernando António Baptista Pereira fa.baptistapereira@belasartes.ulisboa.pt António Candeias candeias@uevora.pt <p>This paper is dedicated to the research undertaken to discover the original portrait of Afonso de Albuquerque from the Viceroys Gallery of Goa. Following a previous research which confirmed that the portrait exhibited at the National Museum of Ancient Art, in Lisbon is, in fact, the result of successive interventions over another Governor’s painting, the question arose whether the original portrait still existed among the remaining collection, in Goa. In the context of the project <em>Old Goa Revelations</em>, where a team of Portuguese and Indian researchers carried out, for the first time, a joint scientific study on portraits from this collection, it was possible to collect new data in this regard. Indeed, associating the results from multianalytical and multispectral examinations with historical and iconographic sources, the location of the lost portrait was finally revealed. It was discovered that the panel had been reused for the depiction of a later Governor.</p> 2024-05-19T00:00:00+01:00 Copyright (c) 2024 Teresa Reis, Sara Valadas, Ana Machado , Luís Piorro , Nuno Carriço, Ana Cardoso, Ana Teresa Caldeira, Fernando António Baptista Pereira, António Candeias https://conservarpatrimonio.pt/article/view/26313 Relocation and reuse of iron architecture in the contemporary period – case studies in Seville and Badajoz (Spain) 2022-05-13T16:04:28+01:00 Sheila Palomares Alarcón sheila@uevora.pt <p>The dismantling, relocation and reassembly of iron architecture has been a process almost inherent to this type of building since the most complex works were built in the mid-19th century. However, the passing of time and the lack of appreciation for these buildings has meant that fewer and fewer buildings made of this material managed to survive to this day. In this context, two case studies were considered: the old Badajoz food market and the old <em>Círculo de Labradores</em> <em>de Sevilla</em> fair booth, buildings made of iron dismantled and reassembled in a different location. The aim of this article is, on the one hand, to analyse how this relocation took place from a constructive point of view and, on the other hand, to contribute to the discussion on the following issue: are all uses appropriate when it comes to the reuse of industrial architecture?</p> 2024-05-19T00:00:00+01:00 Copyright (c) 2024 Sheila Palomares Alarcón https://conservarpatrimonio.pt/article/view/30897 Iron gall inks and their preservation – case study: 16th century documents in the Archivo Histórico Provincial de Santa Cruz de Tenerife 2023-08-31T11:12:18+01:00 Ania Rodríguez Maciel arodrima@ull.edu.es Elisa Díaz González ediazgon@ull.edu.es <p>Iron gall inks were used for centuries, which is why most institutions keep a multitude of manuscripts with this type of ink. The main problem that affects these artefacts is corrosion due to the ink composition. The main objective of this paper is to define an inspection protocol for documents from the 16th century found in the <em>Archivo Histórico Provincial de Santa Cruz de Tenerife</em>, which can also be applied to similar manuscripts. This protocol involves the inspection of each document with diffuse and transmitted visible light, UV radiation and digital optical microscopy. In addition, a Kodak Gray Scale was used to evaluate the colour depth of the inks. This inspection indicates that a significant proportion of the documents analysed are in condition 3 and 4, meaning in poor and bad condition, which indicates a high level of vulnerability.</p> 2024-05-19T00:00:00+01:00 Copyright (c) 2024 Ania Rodríguez Maciel, Elisa Díaz González https://conservarpatrimonio.pt/article/view/26824 Geometrical and constructive analysis of the choir and crossing timber frames of the church of St. María (Alaejos, Valladolid) 2023-10-20T11:49:06+01:00 Rafael Martín Talaverano rafael.martin@ehu.eus Miguel Carlos Cabo Fernández miguelcarlos.fernandez@upm.es Ismael García Ríos ismael.garcia@upm.es Federico Luis del Blanco García federicoluis.delblanco@upm.es <p>This article presents a geometrical and constructive analysis of two significant carpentry works in the church of Santa María (Alaejos, Valladolid): the choir platform and the coffered ceiling of the transept. Both timber frames belong to the same historical period (between the 16th and 17th centuries), and have similar construction solutions, so they could have been probably made by the same author. The research was focused on the several pieces that configure these carpentry works. A design and construction hypothesis was then developed, including both the structural elements and some decorative elements, such as the <em>muqarnas</em>. This was done through a survey carried out with a laser scanner, which has provided us with an accurate 3D model. This study aims to deepen the knowledge of these carpentry works. We also provide graphic and written descriptions of both their current state and hypothetical internal configuration, which we believe could be useful for future conservation work.</p> 2024-05-19T00:00:00+01:00 Copyright (c) 2024 Rafael Martín Talaverano, Miguel Carlos Cabo Fernández, Ismael García Ríos, Federico Luis del Blanco García